Saturday 16 March — Sunday 16 June 2019
Swimming Pool, 2018, oil on canvas, 60 x 75cm (photo: Peter Mallet)
Furthering the conversation initiated in Painting Childhood, this sister-exhibition brings together the works of three contemporary figurative painters – Chantal Joffe, Mark Fairnington and Matthew Krishanu.
Drawn to the subject of children, each of these British artists depict childhood in very different ways. Fierce, tender and highly personal, Chantal Joffe's expressive paintings chart the growth of her daughter Esme from birth to adolescence, in relation to her own changing role as a mother. Mark Fairnington's approach turns a scientific eye to the depiction of his twin sons with hyper-realistic precision, while Matthew Krishanu's radiant paintings reveal memories of an exotic childhood in Bangladesh. Together, these three artists present fresh perspectives on what constitutes childhood today.
Childhood Now, Compton Verney, Warwickshire, CV35 9HZ
14 July — 18 November 2018
Mission School, 2017, oil on canvas, 150 x 200cm (photo: Peter Mallet)
This is the UK’s longest-established painting prize, founded in 1957, and open to all UK-based artists working with paint.
The competition culminates in an exhibition held at the Walker Art Gallery every two years, forming a key strand of the Liverpool Biennial. 2018 will mark the prize’s 60th anniversary and its 30th exhibition. Although the appearance of each exhibition changes, the principles remain constant: to support artists and to bring to Liverpool the best contemporary painting from across the UK.
This year’s entries deal with a range of subjects from Amazon parcel collection lockers to da Vinci’s The Last Supper. Materials as diverse as aluminium, cardboard and compostable food recycling bags have replaced canvas for some artists, and found objects, coins and felt tip used in addition to paint.
Past winners of the art prize include David Hockney (1967), Mary Martin (1969), Peter Doig (1993), Keith Coventry (2010), Sarah Pickstone (2012) and Rose Wylie (2014). The winner of the prestigious first prize in 2016 was Michael Simpson with his painting Squint.
Tuesday 24 July — Saturday 1 September 2018: East GalleryNUA, Norwich
7 September — 24 October: Stephen Lawrence Gallery, University of Greenwich, London
Crowd, 2018, oil and acrylic on canvas, 120 x 200cm (photo: Peter Mallet)
In the City brings together dynamic work by nine established painters working with imagery of the city and ideas around urban space in locations ranging from the UK, Canada, and the USA to Bangladesh, Myanmar, and India.
Trevor Burgess, Stephen Carter, Mark Crofton Bell, Marguerite Horner, Barbara Howey, Matthew Krishanu, Lee Maelzer, Jock McFadyen, Tanmoy Samanta
More than half of the world’s population now lives in cities and artists have long represented city life in their work, from the painters of Dutch street scenes and interiors, to twentieth century British artists such as Bomberg and Sickert.
In this exhibition, the ever-changing contemporary urban environment is captured through the practice of painting, transforming and combining source material from different media such as photographs, images from newspapers, the internet as well as drawings and sketches.
The exhibition’s international scope registers the impact of global mobility and communications on artists’ sense of place. The artists give us oblique glimpses of their experience of different urban environments across three continents: Toronto and New York, Bangladesh and India, the UK and France, conveying real, imagined and remembered spaces. Commercial and residential buildings, transportation, and the natural world are all represented, as are the inhabitants of the modern city.
The exhibition includes a display of preparatory material that offers an insight into the artists’ working methods.
Saturday 23 June 2018 — Saturday 15 September 2018
Matthew Krishanu — The Sun Never Sets (installation view), Huddersfield Art Gallery (photo: Olivia Hemingway)
The Sun Never Sets is London-based artist Matthew Krishanu’s first solo show in a public-funded gallery. The exhibition brings together over 30 paintings, including ten large-scale works, exploring figuration, place, and memory. The works centre on two boys (the artist and his brother) growing up in Bangladesh, and their experience of a complex world that includes expatriates, missionaries, and expansive landscapes.
Matthew Krishanu says: “I want the viewer to sense the complications: that the scenes depicted are not always ones of innocence, that there are historical and cultural currents at play, and that the childhood world is easily punctured by adult constructions and beliefs.”
The show includes four paintings recently acquired by the Arts Council Collection, to be exhibited together for the first time. Skeleton (2014) depicts two boys standing with the bones of a cow, which is missing its forelegs – its skeleton was washed up on the banks of a river, during the severe floods in Bangladesh in 1988. In Boy and Mask (2017), a boy stands in front of a tiger’s mask – the mask seems animated or alive, while the boy has closed eyes. Ordination (2017) portrays a church scene (part of the artist’s ‘Mission’ series of works) in which a new priest is being ordained. In Girl with Book (2012), a person sits alone on a bed, an open book behind her. Questions of costume, symbol and status are raised in all these paintings – whether of adults seen performing ceremonial roles, or children posing in shorts and t-shirts.
The Sun Never Sets is accompanied by a free publication with a text by independent writer and curator Matt Price.
Matthew Krishanu – The Sun Never Sets (installation view), Huddersfield Art Gallery (photo: Olivia Hemingway)
Opening Hours: Tuesday – Saturday 11am – 4pm
Address: Huddersfield Art Gallery, Princess Alexandra Walk, Huddersfield, HD1 2SU
Panel discussion: Painting – People and Places, Saturday 21st July 1.30 – 3pm
Lindsey Bull, Matthew Krishanu, Cara Nahaul, Narbi Price, Judith Tucker (chair)
Closing event: Matthew Krishanu in conversation with Amanprit Sandhu, Saturday 15 September 2 – 3pm
Free – all welcome
The Sun Never Sets is supported by funding from Arts Council England
The Arts Council Collection is the UK’s largest national loan collection of modern and contemporary art. 47 works by 25 artists were acquired for the nation in 2017-18.
Recommendations to purchase innovative works of art that reflect artistic practice in Britain today are made by a changing group of external advisors to the Arts Council Collection Acquisitions Committee. For 2017-18 they were: Brian Cass, Head of Exhibitions, Towner Gallery, Eastbourne; Anthea Hamilton, artist; Helen Legg, Director, Spike Island, Bristol and Morgan Quaintance, writer and curator. The chair of the Acquisitions Committee for 2017-18 was Maria Balshaw, Director of Tate Galleries. The three permanent members of the acquisitions committee are: Jill Constantine, Director, Arts Council Collection; Peter Heslip, Director, Visual Arts, Arts Council England; and Ralph Rugoff, Director, Hayward Gallery, London.
Between 7th July and 10th January 2018, 80 works of art drawn from the Priseman Seabrook Collection of 21st century British Painting will go on display in 4 Chinese art museums for the very first time. The host institutions are the Yantai Art Museum, Artall Gallery, Nanjing, Jiangsu Art Gallery, Nanjing and the Tianjin Academy of Fine Art, Tianjin.
David Ainley, Iain Andrews, Amanda Ansell, Louis Appleby, Richard Baker, Karl Bielik, Claudia Böse, Day Bowman, John Brennan, Julian Brown, Simon Burton, Marco Cali, Ruth Calland, Emma Cameron, Simon Carter, Jules Clarke, Ben Cove, Lucy Cox, Andrew Crane, Pen Dalton, Jeffrey Dennis, Lisa Denyer, Sam Douglas, Annabel Dover, Natalie Dowse, Fiona Eastwood, Nathan Eastwood, Wendy Elia, Geraint Evans, Lucian Freud, Paul Galyer, Pippa Gatty, Terry Greene, Susan Gunn, Susie Hamilton, Alex Hanna, David Hockney, Marguerite Horner, Barbara Howey, Phil Illingworth, Linda Ingham, Matthew Krishanu, Bryan Lavelle, Laura Leahy, Andrew Litten, Cathy Lomax, Clementine McGaw, Paula MacArthur, Lee Maelzer, David Manley, Enzo Marra, Monica Metsers, Nicholas Middleton, Andrew Munoz, Keith Murdoch, Paul Newman, Stephen Newton, Gideon Pain, Andrew Parkinson, Mandy Payne, Charley Peters, Ruth Philo, Barbara Pierson, Alison Pilkington, Robert Priseman, Freya Purdue, Greg Rook, Katherine Russell, Wendy Saunders, Stephen Snoddy, David Sullivan, Harvey Taylor, Ehryn Torrell, Delia Tournay-Godfrey, Judith Tucker, Julie Umerle, Mary Webb, Rhonda Whitehead, Sean Williams, Fionn Wilson
Friday 7 July 2017
Works by Matthew Krishanu, Chris Hawtin and Glenn Brown
The Immediacy of Paint: Surface symposium focuses on questioning how artists are currently exploring surface and the materiality of paint in contemporary art.
Immediacy of Paint: Surface is a one day event focused on how artists are currently exploring surface and the materiality of painting in the digital. This is the second symposium to be held at The University of Suffolk to include talks and a panel discussion presented by artists and academics. By bringing together artists, academics and art students in our region whose practice focus is on painting in the contemporary moment, the symposium explores the immediacy of paint through surface.Immediacy of Paint: Surface is a one day event focused on how artists are currently exploring surface and the materiality of painting in the digital. This is the second symposium to be held at The University of Suffolk to include talks and a panel discussion presented by artists and academics. By bringing together artists, academics and art students in our region whose practice focus is on painting in the contemporary moment, the symposium explores the immediacy of paint through surface.
Special Guest Speaker: Glenn Brown, International Artist
Speakers include: Kim Anno, International Painter, Photographer, and Filmmaker/video Artist Chris Hawtin, Artist, Dr. Matthew Bowman, Art critic and Lecturer at the University of Suffolk and Colchester School of Art Shaun Camp, Chair, Artist and Leader Year 0 Pathways at Norwich University of Arts Matthew Krishanu, Artist, Curator, Lecturer
Opening statements by Dr Lisa Wade, Head of the Department of Arts and Humanities at The University of Suffolk.
Closing statements by Matthew Krishanu
27 October — Saturday 05 November 2016
Magenta Sari, 2016, oil on canvas, 35 x 25cm (photo: Peter Mallet)
Expatriates is a solo exhibition of paintings of English expatriates in India and Bangladesh. The portraits are shown alongside fragmentary landscapes that depict trees, overgrown ruins, and old missionary buildings. A colonial history of cultural power and exchange is evoked – represented in the poses the expatriates assume, the clothes (or costumes) they wear, and the buildings and scenery they inhabit.
Matthew Krishanu was born in Bradford, UK, and spent his childhood in Bangladesh. Expatriates is the first of a series of solo shows programmed by Contemporary British Painting, an artist-led organisation which explores and promotes current trends in British painting.
Preview: 6 — 8pm Wednesday 26 October 2016
Dates: 27 October — Saturday 05 November 2016
Opening Times: Monday to Friday: 10am — 8pm, Saturday: 10am — 5pm, Sunday closed
Address: Westminster Reference Library (1st floor), 35 St Martin’s Street, London, WC2H 7HP The exhibition is curated with Anneka French.
Matthew Krishanu will be in conversation with writer and curator Hamja Ahsan at 3pm on Saturday 05 November 2016.
Saturday 14 May — Saturday 9 July 2016
Girl with Book, 2007, acrylic on canvas, 50 x 40cm
A unique art collection dedicated to 21st century British Painting, the Priseman Seabrook Collection holds over 100 paintings produced by leading artists practicing in Britain today. It first went on museum display between November 2014 and March 2015 at Huddersfield Art Gallery.
Containing work of international significance, artists include European Sovereign Painters Prize winner Susan Gunn, East London Painting Prize winner Nathan Eastwood, John Moores Prize winner Nicholas Middleton, Academy awardee James Quin, John Player Portrait Award Winner Paula MacArthur, 54th Venice Biennale exhibitor Marguerite Horner, Griffin Art Prize exhibitor Matthew Krishanu, Colin Self and Tracey Emin as well as works on paper by Peter Blake, Graham Sutherland, Lucian Freud, Francis Bacon, Alan Davie and David Hockney.
Exhibition Dates: Saturday 14 May to Saturday 9 July 2016 at The Minories, Colchester Open to the public and admission is free.
*Mon-Fri 9—5, Sat 9—4 (Sun closed)
23 April — 21 May 2016
Rose Wylie, Acorn and Jay, 2009, watercolour and collage on paper, 84 x 118cm
Franki Austin | Sutapa Biswas | Adam Bottomley | Frances Cowdry | Annabel Dover | Nathan Eastwood | Jennifer Hooper | Matthew Krishanu | Mehrdad Rashidi | Alli Sharma | Alice Sielle | Susan Sluglett | Chiz Turnross | Rita White | Aubrey Williams | Rose Wylie
Aviary is an exhibition of paintings, sculptures and drawings of birds. The aim is to create an Aviary of artworks of birds that feel ‘alive’ (without necessarily being realistic looking). In a way the birds function as self-portraits (or familiars) for the artists: they are cultural signifiers as well as stand-ins for memories and emotional states.
The works come from a wide range of artists – canonical and outsider, contemporary and historical, and a broad sweep of nationalities and ages. Three of the artists in Aviary (Sutapa Biswas, Aubrey Williams and Rose Wylie) have works in the Tate collection.
Aubrey Williams’s Tick Bird belongs to a wider series of paintings of tropical birds – documenting the birds of Guyana (where Williams was born), the Caribbean and South America. Rose Wylie’s large drawing Acorn & Jay incorporates text, collage and paint to create a playful narrative of two halves.
Other works include Sutapa Biswas’s watercolour birds, Franki Austin’s glass work, paintings from Frances Cowdry, Nathan Eastwood, Jennifer Hooper, Matthew Krishanu, Alli Sharma and Chiz Turnross, porcelain bird sculptures by Annabel Dover, drawings and printing from Adam Bottomley, Mehrdad Rashidi, Alice Sielle and Rita White, and large scale drawing ‘scrolls’ by Susan Sluglett.
Aubrey Williams, Tick Bird, 1979, oil on canvas, 460 x 610cm
Aviary is co-curated by Matthew Krishanu and Niamh White
Matthew Krishanu is a painter based in London. He recently co-curated The London Painting Survey (2015), and has curated collaborative exhibitions for English Heritage, Iniva and RIBA. Niamh White is an independent curator based in London. She is co founder of Hospital Rooms, which commissions contemporary art for mental health hospitals, curator of the Dentons Art Prize, and curator of The Pierrot Project.
Transition Gallery Unit 25a Regent Studios, 8 Andrews Road, London E8 4QN
Studio Visit, Resonance FM: A curator round table featuring Helen Nisbet and Marie D’Elbée on Opensource; Matthew Krishanu and Niamh White on Aviary; and Hansi Momodu-Gordon and Orla Houston-Jibo on Future Assembly. Presented by Morgan Quaintance. Download here: Curator Round Table_Studio_Visit
42 of my works on paper will be showing as part of Contemporary Drawings from Britain, Xi’an Academy of Fine Arts Gallery, Xi’an Province, China, 1 — 6 December 2015.
Michael Ajerman | Gemma Anderson | Adam Bainbridge | Karl Bielik | Phoebe Boswell | Jessie Brennan | James Brooks | Julian Brown | Matthew Burrows | Simon Burton | Marco Cali | Gary Colclough | Jane Dixon | Susannah Douglas | Geraint Evans | Luci Eyers | Jonathan Farr | Lucian Freud | Joy Gerrard | Thomas Gosebruch | Ross Hansen | Lesley Hicks | David Hockney | Olivia Jones | Matthew Krishanu | Catherine Linton | Cathy Lomax | Steven Lowery | Alan Magee | Mark Melvin | Paul Newman | Simon Parish | Robert Priseman | Jo Stockham | Marianne Walker | Rose Wylie | Mary Yacoob